If you've ever
heard Shchedryk played as a Christmas jingle — it’s very
likely because of Oleksander Koshyts. Who was this man who introduced a beloved
Ukrainian melody to the world?
Oleksander Koshyts was a brilliant
choirmaster, composer, arranger, ethnographer, lecturer and ambassador
for Ukrainian culture and music in the early 20th century. He co-founded the
Ukrainian National Chorus, which introduced Mykola Leontovych’s
well-known composition, Shchedryk, to North American audiences in 1921.
The political upheaval of the 1920s and the
advent of the Soviet Union made it impossible for Koshyts to return to his
homeland. The Soviet regime labelled him a bourgeois nationalist and traitor.
In 1927, Koshyts settled in New York City, where he continued to work as a
choral director, teacher and composer. In 1941, the Ukrainian National
Federation (UNF) offered Professor Koshyts a position as choral director of its
summer Cultural Educational Courses in Canada – and he eagerly accepted.
Koshyts spent his
summers in Winnipeg under the patronage of the UNF, lecturing, teaching and
imparting his love of Ukrainian music to his students. When he died in the fall
of 1944, his wife, Tetyana Koshyts, carried on this culturally important work.
She moved to Winnipeg in 1946, published books of Ukrainian choral music, and
later became the director of the Ukrainian Cultural and Educational Centre,
or Oseredok.
Today, Koshyts is recognized as a leader in
the development of Ukrainian choral singing and composition. And the melody
of Shchedryk, which was set to English lyrics by Ukrainian-American
composer Peter Wilhousky in 1936, became known
worldwide as “Carol of the Bells.”
Fun facts about Koshyts and the UNF
1) Koshyts and the Ukrainian National Chorus served as
cultural ambassadors for Ukrainian music after Ukraine’s independence in 1918
2) Koshyts came to Canada at the invitation of the UNF in 1941 and
taught master classes in Winnipeg
3) Tetyana Koshyts, his widow, later became director of Oseredok
and published many books of Ukrainian choral music
4) Without the UNF’s support, much of
Koshyts’ research, knowledge and composition would have been lost to future
generations
Quotes from the Maestro’s commentary on the Courses
“In my cultural work within the
Ukrainian community in Canada, I consider the establishment of Masterclass
Conducting Courses at the Ukrainian National Federation essential and
indispensable.”
“We know that almost every
activity of our community life takes on an artistic, cultural character in the
form of a concert or any other presentation not just for entertainment but to
fulfill its spiritual need and nourishment.”
“In our various performances, the
Ukrainian song plays a huge role. Its
influence and importance is immeasurable.”
“Our song – our greatest
treasure, the heart that pulses blood through the nation’s veins.”
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